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Cormorant fisherman lit by the light of his hurricane lamp on the Lijiang, China

Cormorant fisherman on the Lijiang lit by the light of his hurricane lamp, China

Very few cormorant fishermen still fish on the Lijiang (Li River) in China, using a light on a simple bamboo raft to attract fish while it is still dark. We rose at 4:30am, to be sure we arrived at the river whilst it was still dark.

Uncertain how to light the shot, I decided to keep my options open until I saw the fisherman. It did not take long to banish all thoughts of using a flash, which would have been completely unnatural. Instead I decided to use the hurricane lamp on the boat to light the fishermen’s face, just as the sky began to turn an inky blue. The naked lamp was far too bright, so I persuaded the fishermen to place one of his cormorants in front of it to blot out the direct light beaming towards the camera lens. Then all it needed was for him to crouch so his face became illuminated.

The ISO was pushed to 3,200 for an exposure of 1/50 second, with an 80-400mm lens at 5:25am. Not long afterwards, the dramatic cameo illustrating the traditional life of a cormorant fisherman on the Lijiang changed as he became silhouetted when the sky brightened.

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A rimlit polar bear (Ursus maritimus) walks on ice at sunset, Cape Churchill, Canada

A rimlit polar bear (Ursus maritimus) walks on ice at sunset, Cape Churchill, Canada

By early November, days are drawing in at Cape Churchill in Canada – the polar bear capital of the world. This is the prime time of year to photograph bears waiting on land for the sea to freeze. However, it is always a bit of a gamble because if a hard freeze comes early, all the bears leave the Cape overnight to walk out over the ice.

Photographing a polar bear in the wild can be risky, unless you work from either a boat in open ice or from a vehicle on land. I joined a small photo group working from inside a tundra buggy with outsized tyres that cope with travel across both tundra and ice; it also gave us an elevated and safe viewpoint.

As the bear began to approach, it seemed to be set on investigating the outsized white monstrosity that had invaded its territory. With the sun approaching the horizon, I had to work fast. Using a hand-held meter with an invercone, an incident reading was taken of light falling on the rimlit polar bear as it walks over the glowing ice. Shot on a Hasselblad camera with a 350mm lens out of a tundra buggy window.

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Blackberries and rosehips intermingle within a Hampshire hedgerow

Blackberries and rosehips intermingle within a Hampshire hedgerow

The bountiful fruit crop here in southern Britain this autumn is the result of a late spring followed by warm weather in late May into June, when pollinators aided cross pollination by actively foraging throughout the day on copious blossom. Months later, our hedgerows have become laden with blackberries as well as hawthorn and guelder rose fruits, providing an autumnal fruit feast for both birds and small mammals.

Bright red fruits of guelder rose stand out against their leaves beginning to turn colour

Bright red fruits of guelder rose stand out against their leaves beginning to turn colour

 

A captive dormouse emerges at night to feed on hawthorn berries

A captive dormouse emerges at night to feed on hawthorn berries

 

A jay (Garrulus glandarius) flies away from a holm oak (Quercus ilex) tree with two acorns in its bill

A jay (Garrulus glandarius) flies away from a holm oak (Quercus ilex) tree with two acorns in its bill

Jays, wood pigeons and grey squirrels that pluck acorns from our native oak trees as well as the  evergreen holm oak, all help to disperse acorns away from parent tree when birds drop them from their bills in mid-flight, while squirrels actively run off to bury them in a cache.

A grey squirrel carries a horse chestnut in the mouth before it runs off to bury it at Kew Gardens

A grey squirrel carries a horse chestnut in the mouth before it runs off to bury it at Kew Gardens

Some animals have learnt an easy way to feed is simply to hang around beneath an oak tree for careless foragers above to drop some fruits in their haste to gorge themselves.  Some years ago, I saw mandarin ducks in Kew Gardens waddle up to the tree and after I had taken a picture I discovered every bird had an acorn in its bill.

A ring necked parakeet (Psittacula krameri) speedily accesses sweet chestnuts by using the bulky bill to rip off the spiky casing

A ring necked parakeet (Psittacula krameri) speedily accesses sweet chestnuts by using the bulky bill to rip off the spiky casing

It is too late this year to see parakeets in sweet chestnut trees at Kew and in Richmond Park using their powerful bills to rip open the spiky husked fruits, to expose the brown chestnuts inside. In past years I have seen them walking along branches to reach the fruits and ripping off the still green leaves to make their access easier.

A cock blackbird plucks a crab apple Malus

A cock blackbird plucks a crab apple Malus ‘Professor Sprenger’

The best way to encourage birds into your own garden in autumn is by planting shrubs that provide welcome splashes of red, orange or yellow fruits that also attract birds to forage on them.  These include plants such as Berberis, crab apples, firethorn (Pyracantha), guelder rose, single species roses and spindle. When flocks of redwings or fieldfares move in to feast they can quickly strip all the fruits from a firethorn hedge or a holly tree before moving on to another heavily laden plant.

It is worth leaving a few apple and pear windfalls, since they are also attract birds as well as insects – notably wasps and red admiral butterflies – as well as hornets in some years.

Windfall pears are enjoyed by hornets and red admirals, with the occasional green woodpecker or yaffle on our lawn

Windfall pears are enjoyed by hornets and red admirals, with the occasional green woodpecker or yaffle on our lawn

Avoid using flash to light shiny fruits such as rosehips and Berberis drupes, single they will reflect the light, as indeed sunlight will on a cloudless day, but because the sun is much further away than a flash the highlights are not so obvious.

Thanks for reading!

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Godafoss

Godafoss (Falls of the Gods) captured at midnight in mid-summer, Iceland.

Iceland has many photogenic waterfalls, some backed with basalt columns, while many have spectacular ice curtains that develop as water freezes in winter. Iceland is famed for being a land of the midnight sun, with light 24/7 in high summer in the north of the island, thereby providing the option of photography at midnight.

One summer, I flew from Reykjavik to Akureyri in the north, arriving late at my hotel. After dinner, I decided to check the prime viewpoints for shooting Godafoss, a waterfall with several falls. I had hoped for a colourful sky, but low cloud gave a magical soft light, that was perfect for a midnight waterfall with high and low key elements.

By using a one second exposure, the water became transformed into white silky curtains. For this shot I opted for the square 6x6cm Hasselblad format, to include the full width of two main falls plus a small one. After heavy rain, the large expanse of water below becomes turbulent.  On this evening, the water was fairly uniform so by including the emergent rocks plus white ripples, this helped to it break up the surface and add some interest to the lower part of the frame.

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Male campanula bees (Melitta haemorrhoidalis) using a peach-leaved bellflower as a roosting place to sleep in at night

Male campanula bees (Melitta haemorrhoidalis) using a peach-leaved bellflower as a roosting place to sleep in at night

This image was not pre-planned, because I had never seen the behaviour before I walked around my garden one night with a head torch to check out nocturnal moths on flowers. During the day, I had been photographing female campanula bees visiting large bellflowers for nectar. The image shows the flowers provide a roosting place for male campanula bees at night.

Flash is essential to photograph any insect at night that does not emit it’s on light. In addition, I realised with a deep bell, no amount of stopping down the lens would get it completely in focus from the upper lobes to the bees in the base. Therefore, the only option was to take a nocturnal focus stack. The camera was attached to a RRS macro focusing rail  mounted on the tripod. Another tripod supported the flash, which had to be in a fixed position.

For a successful focus stack, it is essential for the subject(s) to be static. Fortunately, not a single antenna twitched in response to the initial flash and both bees remained motionless for all 36 frames needed to complete the stack. The final image was produced by blending all the images using Zerene Stacker software.

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